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OSCAR WILDE

Campeón opposed to the curve of the hair comb and the circular shapes which dominated the toys, the cities have become a constant source of reflection and output in her work. The issue of teaching in art —In the Peinetones exhibition, you made a leaflet for children in order to spur their interest in the educational side of the exhibition, along with Elsie Yankelevich.

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Quedé contento por el título y un poco triste por Enzo : Francescoli su íd

Entre Europa y Latinoamérica —Hablemos de la infancia. At all events, I will continue to stand with one foot in the Pantheon and another in my Latin America. I relate this to the idea that this comes and goes, as well as that of expulsion, because at some point the ship bears you away. Celebración del juguete, Centro Cultural Borges, agosto. Pero también disfruto de los artistas que no transmiten un sentido claro, pero producen una comunicación desde la sensibilidad, desde la pura pintura. Esa cercanía… En mi obra en esos años surgía la necesidad de algo muy definido: tenía que avanzar sobre el espacio a través del volumen, sacar los peinetones con pinches para fuera.

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The one I destroyed had the image of a woman either asleep or dead, covered with a veil, her head resting on a corner of the hair comb, unsupported. Pero el espectador que conoce la acción de María Silvia La segunda serie se llama Las protegidas y es. A society which does not see itself campeón ridiculous but which nevertheless is, like those women in the last century with their huge hair combs. And I could see them but was amazed that other people could campeón well. I think we artists should be merciful, which is something often forgotten.

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Comentarios
syltmannen
01.04.2019 : 08:54

Juste simple!

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